The two most popular explanations of origin are that the belief goes back to pagan times when we believed in tree spirits, or that we are invoking Christ’s protection by referring to the wood of the Cross. The former is nothing but guesswork, based on the conviction that all superstitions must be ancient, and it has the usual problem of spanning thousands of years with no evidence at all of its existence, or, for that matter, any evidence that ‘we’ ever believed in tree spirits.
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陆逸轩：应该是。我对那种浅表、外放、充满夸张表达的演奏并不感兴趣，我不喜欢音乐中的夸张。真正有力量的东西，往往来自更深层的地方。音乐中的强烈情绪不该是持续不断的，它只有在某些时刻出现，才会真正有意义，而这些时刻需要铺垫，需要不同情绪之间的关系和发展。音乐本身是非常具体的，很难用泛泛而谈的方式去描述诠释。我也一直觉得，我们不能用概括的语言来谈音乐。